N O O S E
by Steve Mitchell
It was a look I seen and I seen it true. Then I forgot it 'til I seen it again
then I remembered it. All of it. Every minute in the between and that one on
each end.
Like memory comes full circle pulling a kind of noose round my neck slow,
tightening from the first look to the last. For a second then I seen into his
world. We were together then for a second. And it felt alright. Clear. I
could see the inside of the noose where the air was. And inside the noose
it's light blue. The color of a finished sky.
Before, he'd been sitting on the floor in the living room of the
trailer,
his trucks and cars all around him. This was before his mom left, before
everything started to rust. And I was mad about somethin or I'd been
drinkin or I was just a son of a bitch or he was a pain in the ass but I told
him to clean that stuff up and get it out of the floor and he just kept right
on and I reached down and jerked him up by the arm and slapped him hard and
dropped him again right there on the floor.
He didn't cry. I think I scared him more than hurt him. He laid all
balled up on the floor there and he looked up at me, them blue eyes big. I
thought he'd hate me but that wasn't what I seen. I wished it
hada
been hate. But it weren't. It was like I'd disappeared. He just
looked right through me like he already seen a time when I was gone. He rubbed
his face. He looked right through me. Then he started pickin up his toys.
That was then.
His momma, she was working down at the convenience store then, and I thought
he'd tell her when she come home. Thought he'd come
whimperin
in to her his bottom lip all stuck out. Hours later like it had just happened.
They did stuff like that him and her. Come back at you with somethin you done
long after you already forgot about doing it. That woman'd get in my
face
now and again and my brain'd be whirring, spinning back, trying to find
what it was she was talking about.
Anyway, he didn't tell her. Just climbed in her lap when she sat down
and
lit her cigarette, climbed up there and clung to her like a little monkey.
I mean, it ain't me he should be all mad at anyhow. She's the one
that left us. Came home from the plant one evening and he's sitting on
the cinder block step out in front of the locked door. School bag on the
ground beside him. He's reading a magazine he got at school and
she's gone. We know it as soon as we open up the door and that goddamn
ugly ceramic clock ain't on the kitchen counter where she put it the day
she brought it home. I hated that damn clock.
He come in dragging his bookbag behind him, looked around the living room and
kitchen for a second then sat down on the couch and kept lookin through his
magazine. I lit a cigarette and sat down next to him and we just sat there
awhile. Him reading, me smoking. Then we went out to Hardee's for
dinner.
It's her he should hate. Not me.
Maybe he does hate her. I wouldn't know. He's a goddamn mystery
to
me.
Living's just a blur, you know. A whir you feel streakin by like cars on
a
highway while all the time the edges are pullin in tighter just outta sight and
the space around you is gettin smaller and smaller, pushin the air outta
itself. It's hard to know what I did and what I didn't do.
One day don't bleed into the next. There ain't no difference
between
days so there's nothin to bleed into or out of. I'd come home
from
the plant or from drinkin or from just being away and he'd be fine.
He'd a made himself a sandwich and be all curled up on the couch or his
bed with a book or a magazine. Weren't no kids to play with, trailer too
far back off the road, but he found things to do.
He never said nothing about it. He'd
come in from school or wherever he'd been outside and not say nothing
about the night before. He got quieter and quieter. Days we hardly saw each
other which was fine with me. While he got bigger that goddamn trailer got
smaller and smaller. Further back in them goddamn woods.
Then one day there he was all nerve and bone. All six foot what-the-hell of
him. And the trailer's cold and my back aches and I'm tired cause
we're workin overtime at the plant and I can't say no cause
they're layin people off and I'm tellin him how things are gonna
be
and he gets himself up off that couch and he just looks at me. Looks at me for
the first time in probably ten years.
And it's the look I already seen.
And all the news of the past spins out at me all at once. Suckin the air outta
the room, pullin the noose tight around my neck. There ain't no blue
left
no more in the space inside.
We were together for a second. It had been a long time. I could see him
for a second and it was alright.
I stand in his way in front of the door but he just walks around me.
Don't
even look at me, he's all finished with lookin at me. He just walks
around. And he leaves. Leaves me in a place where there ain't no space
to move around in and a lot of time to do it.
Screen door flappin behind him. Slappin itself against the hollow door frame.
This trailer gettin empty, and colder and colder.
More About Steve Mitchell:
Steve Mitchell lives and works in North Carolina. He has published
fiction and poetry in millers pond, No Straight Roads, Cities and Roads, and
Crucible. His non-fiction has been published by UniS and in the DuVersity
Newsletter. He has a deep belief in the primacy of doubt and an abiding
conviction that great wisdom informs very bad movies. Visit Steve twenty four
hours a day at www.thisisstevemitchell.com.
You can email Steve at neuralarts@triad.rr.com
.
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